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SuperZ project. The family grows. Torero

SuperZ is a synonym for-profit project that began with the intention to get rich.

Miniretratos the modest price of a dineuro to invest in multiple bets EuroMillions. It did not work.

Coming soon new characters. Pets
proposals

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A plot

Attend the screening of "Unforgiven is witnessing a sober statement of hidden feelings, pure and sincere as few sometimes been seen in the genre of western . Attend two hours of footage is reunited with a man whom few know, but maybe he and the woman he loved. Understand that life is obliged to maintain attitudes that correspond with what little feelings mark. Is to witness that life happens, that time changes things without which we can do anything about it. Is to understand the harshness of a world where you can not be weak, because as years later it would mark the Coens' not Country for Old Men "... We speak of a

poetic film, far from any stereotype of the genre. Here Protagonist fail when the fire, have difficulty getting on a horse and, most importantly, feel remorse after killing a man.

" Unforgiven" is an exercise in restraint argument, of sobriety in the image and even the sound (to sample its beautiful soundtrack). It is yet another talent show Clint Eastwood front and behind the scenes and a fair worthy of the Oscar for best film . Is the encounter of three heavyweights (Eastwood, Freeman and Hackman) in an attempt to revive an old genre that got demystify and enhance equally. Mystical

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Rediscovering the magic in adulthood

In a week that come to our shows the sixth installment of one of the most popular sagas in the history of cinema : the young apprentice magician whose forehead was marked forever after an initial confrontation with the evil Voldemort, it's time to look at the films in the franchise, "Harry Potter ."

I think at the time was one of many who blew the first two films simply because they conceived too childish, especially taking into account l or my tastes "adult" marked at the time. And it took nearly three years to get into Hogwarts for the first time. Remember happened one weekend, one of those days terribly lazy I decided to rent the first title to view quietly at home one cold winter night. I remember putting the player without much hope, but also remember that l Shortly after starting the tape, I realized I was witnessing the beginning of something important. And that weekend changed everything. That started my interest in what was happening in Hogwarts, there began my love affair with the characters of Harry , Ron and Hermione , there began, in short, my love for JK Rowling's saga .

A I matured saga as did his players, who never lost one iota of strength as it advanced in time, whose stories were not only intended sa a younger audience, but also a universe capable of enjoying adult with magical stories. This is further enhanced by finding in it a well-shaped characters (something not too common in films "Kids"), with sufficient charisma to go on its own merits in the history of cinema fantastic. The work in this regard not only focused on the protagonists of the series, but especially in a universe of characters who, delivery after delivery a, magnifying the whole story around. Similarly, the development of different frames (both referring to the fight against Voldemort and the universe revolving around the relationships established between the protagonists themselves) had a rate so successful, playing with what and showed us what not, that interest which in itself is telling us was always in continuous rise, the logical consequence of a wise dosage information.

In a story where magic was already a character in the film, it was necessary to have special effects as less successful. Movies of Harry Potter approved it with flying colors. The same could be said of each of its magical scenery, a key part of an increasingly dark story that would hardly be understood without each and every one of them. Mystical

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How much fiction and reality?

I must admit that I do not like gore film. I've always been in favor of a horror film more suggestive than explicit, so consider that when a film has to pull his guts to impress the public, is already half the battle lost. However, there are times when (as happens with highly charged scenes sexual) such images are extremely justified by a script or a story that really lend themselves to it. " Hostel" is a clear example of this myself.

A film that managed to impress not only by the images that she showed us, but especially for the background that the story seemed to be back. As when, in the mid-nineties, an unknown Alejandro Amenabar that introduced the world debut called "Thesis " woke up the debate on how much truth and fiction could be in so-called snuff movies " Hostel "certainly woke another similar contest, but this time in the XXI century.

Ultimately what" Hostel "was not telling us anything new. We talk about the staging of certain urban legends they run word of mouth and the Internet found the perfect breeding ground for proper expansion n. A macabre legends circulating around the low value of human life against the power of money, embodied in the abhorrent practices of some unbalanced millionaire whose vast power they had to focus in a somewhat "different" their own sexuality. This critique of capitalist society in this film was shown in a so clear and explicit that only she already had more strength than any of the grotesque images that we could see throughout the film.

True, the pace of the first half was slow, then reveled in aspects of the plot certainly expendable, but so is that thanks to this "Hostel " managed to create an atmosphere of reality and an identification with the characters main so high that would make the second part of the tape was even more startling. Mystical

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When love becomes a matter of survival

The reasons why today stressed " Edge" of all possible options can that are too personal, too tied to the context of viewing, a premiere back in 1999 that is hardly ever erase from my memory. Still highlight this film never not believed in it if I did not think that this film , although not shine in all its set, it could do in some parts.

could start talking about the soundtrack, those scores with voices Paco Ortega, Manzanita , Molina Alba, Estrella Morente or Ray Heredia who managed to give that air to a heartbreaking and visceral story the less complex feelings. Could Emma Suárez talk , an actress in a state of grace that convinced each of his sentences. And is that theirs were two of those alone justified the price of an entry. The first, when he told a correct Juan Diego Botto that despite wanting much to their love story was missing something: and that is when were together " music did not sound" and that reflection in the final wondering what had become of their lives if they had not been a series of events in the same, leading to a simple and accurate conclusion: " not then my life would have been ."

" Survive" was a story of survivors in a terribly imperfect world, a history of feelings unrelated to any established pattern, a different love story, beyond any label or cliché, perhaps based on how much the players were needed but, nevertheless, of absolute and unquestionable beauty. Mystical

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A perfect setting for a brilliant story

was along with " Murder on the Orient Express " the best adaptation of an Agatha Christie story taken to film. A spectacular cast (something common in the big screen adaptations of Christie novels) led by Mia Farrow an extremely effective and where we found the names of the likes of Peter Ustinov , David Niven, Bette Davis or Angela Lansbury.

The natural landscape, shot in the most emblematic places of ancient Egypt did nothing to magnify a movie also tended to the last detail in the designs of both indoor and costume design (which earned him Hollywwood a well deserved Oscar.) Tremendo his script was adapted from a very interesting novel that had another top end signed by the famous British writer.

Peter Ustinov was put on the skin of the charismatic Hércoles Poirot following the rejection of Albert Finney (who had incarnated the Belgian detective in "Murder on the Orient Express") because of the high temperatures of filming in Egypt (more than understand even if we consider the clothing that the entire cast should look at this movie ). This change of actor served to give greater credibility to a strange character Ustinov nobody understood as a more successful.

I've seen several times this movie and I reaffirm the thought that "Death on the Nile " will be forever indebted to Jacqueline Bellefort the interesting character shaped by a superb Mia Farrow who became its own merits the most interesting of the whole novel. A character full of edges in a universe of individuals may be too linear. Taken to the acting field, could say something similar. And this film made us witnesses of a young Mia Farrow own light dawned in a tangle of names enshrined absolutely, some of whom were already stars when she was not even born. Mystical

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What's worse than a rat in a kitchen?

Anyone who has followed this blog in a more or less regularly will have seen that I am not particularly fond of animation film. In fact this is the first animated film that I speak on "Mid-Plane," but is that the eighth draft Pixar factory that was presented in 2007 was so delicious (and pun intended) not I can keep passing it on high.

A beautiful story with a moral improvement for adults, like all animation production that boasts, also had a good number of children that helped the story not only gained strength, but also excited the public younger.

Its protagonist, the young rat Remy charisma and high degree of tenderness, had some very human characteristics that often found it easier to identify with her than with the other characters in the film. A character who was facing a fate that simply did not accept, a disagreement that would put his own life in danger just to chase a dream, a dream that had originally banned from the moment of birth. How humans should learn from this rat!

The greatness of " Ratatouille" was not only in its history. When we speak of this title talk about one of the best technical work that had been seen to date, which succeeded, to cite only one example, had never before seen footage of actual water as an animated film. Technical work was supported by a great knowledge of what was being addressed. The team of " Ratatouille" came to apuntars ea different cooking classes (not without reason, some images on the tape actually managed to awaken the appetite) and visited for a week the city of Paris (from its sewers to their luxury restaurants) only to give credibility to the scenes and language in it is used, even to watch dozens of movies in the neighboring country to the characters to have the movements' most Francophile "possible, especially those who performed mouth when speaking.

The final product, how could it be otherwise, it was brilliant: Oscar winner for best film animation and candidates in four other categories (competing under the same real image films). The logical outcome of a job well done. Mystical

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A hymn to freedom in wartime

Over the years I have always believed that Italian cinema is a of the best made in the world. Titles like "Cinema Paradiso ", "Life is Beautiful " or that I come to talk about today (Mediterranean ") have not only confirmed my theory.

vastly different approach to the war film par excellence (World War II) represented by a group of soldiers who were in a small Greek island is not only the reason for dropping out of a war they no longer believed, but especially the feeling of having found his own paradise, the place where they were fully happy in a historical period that pushed them hecer war, when they so eager was do not stop making love.

Far from trivializing something as serious as a war, "Mediterranean " rose like a hymn to freedom, a title that we were taught that all humans were ultimately citizens of the world and could never know what corner of the planet find the true sense of home.

A beautiful outdoor photography, some more than decent performances and a fun script, which outlined some characters that ended a fond, made this film in just Oscar winner for best film non-English speaking 91 years, confirming also in Italy, as in few other countries in the world, knew what the film well done could come to represent. Mystical

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A commitment

A comedy fresh, casual, fun and, though slightly "Pastelon" extremely suitable for one of those cold winter days where the couch, the blanket and bowl of popcorn become absolute essential. Yes, I know, we are not the most appropriate dates for it, but if you change the context of viewing the film not detract greatly. And today is Friday, last day of the workweek and, as appropriate, I throw my recommendation for the weekend. The title is simple: " The Family Stone "

Today there is no analysis or criticism. Today only appropriate this commitment to romantic comedy (although it has its little touch of bitterness) is full of hope, love and good feelings, after all, is what they should convey a lot of movies.

good weekend everyone. Mystical

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Contraetapes

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feelings Interesting but uneven

" Rear Window" was a clear demonstration of the game that could give a single location if they knew how to use it correctly. If we into account that he was behind the camera was very Alfred Hitchcock was assumed that half the work was nearly done. It is also true that "simple location" had a few nuances, as we talk about different scenarios within the same space, in this case those who made up the views of the building on which it develops this strange and interesting history.

many pros and many others against one of the most controversial (to me) works of genius suspense. The approach is itself quite interesting, and the way in which Hitchcock thriller manages to convey through simple elements almost daily. I think however that, unlike many other works of this director, "Rear Window " lacks enough credibility, something that becomes more noticeable as we move into the footage, especially in the final sequences. His actors are correct, both James Stewart and Grace Kelly , but very espe you Thelma Ritter. Brilliant it is certainly the point of view with which Hitchcock film builds this , by encouraging viewers not only see what Stewart sees from his voyeuristic position, but we also infected by the anguish and anxiety that it feels when observing the action gets out of your / our vision.

comic approach that was given to this film largely left over, maybe the staging lends itself to it, but perhaps this approach was responsible for this story did not have the strength, taking into account its enormous potential, might have had. Mystical

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The most successful of the "road movies"

Although long ago I saw this movie I think it's those that have managed to stay in my memory over the years. And no stay in it by how much this title made me think (which undoubtedly succeeded) nor for his brilliant work performance or conduct (which is mediocre at all, but rather borders on brilliant.) I think the reason that it remains evergreen in the memory is because more than one occasion I thought to feel the desire to do so in this film are the protagonists: drop everything and run to the back of a convertible in search of a just different life. True, our heroines are history goes a little out of hand and promised to be a weekend getaway turns into a desperate escape outside the law, but the initial attitude was shown in this tape seems to me just great.

Geena Davis and Susan Sarandon not only demonstrated in "Thelma and Louise " a perfect chemistry, but amply justified both received Oscar nominations for his work both actresses in this film . Few know that in a study pricipio wanted two most popular names, proposing to Meryl Streep and Goldie Hawn (eventually partners in " Death Becomes Her " by Robert Zemeckis ) to embody the protagonists of this story. And is ... how different would have been this movie with the wife of starring Kurt Russell of it! Brad Pitt

was in "Thelma and Louise " the first role of his career and Ridley Scott once again confirmed what a good director could be regardless of the genre in which you work.

Perhaps the only "but" that would make this title so rooted in the stereotypical image of some men did the same, but this was more than compensated with a careful treatment (which did not sin of excess) and a of the top end (hard and heartbreaking, but with tremendous force and even poetic) that has given so far in the history of cinema . Mystical