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American tribute to the samurai film

The four hours of his film "forced" to this film to split in two. Two volumes which made clear the love I felt Quentin Tarantino film by East action (which pays clear homage) and by the culture of the comic.

" Kill Bill" was an original short film and not just the failure of assembly (the hallmark of American director) but the inclusion of other elements in it that made the tape at all an exercise in formal originality, serve as an example the strategic use black and white or brilliant inclusion of a short film manga animation to introduce the origins of one of the main characters.

black humor that wasted all the tape served as perfect counterpoint to a fight sequences as effective as beautiful (the confrontation under the snowflakes enc Arab with Uma Thurman Lucy Liu in that garden d Eastern ejaba clear evidence of this). For the memory will be a bloody battle against the army of O-Ren, also known as "the 88 manic," a lengthy sword fight sequence that has ended up becoming the most famous all movie .

" Kill Bill" also marked the recovery for the film some names that were falling in the most absolute forgetfulness as David Carradine Daryl Hannah or , actors who, despite having some Hook, could not overshadow the lead character in the film, Uma Thurman a shining here with light.

By the way, Tarantino announced his intention of shooting time " Kill Bill: Volumes 3 and 4 " two short films that reflect the past of the characters of Bill and Beatrix Kiddo. Be seen as focused around this now deceased actor who plays Bill, the recently deceased David Carradine . Mystical

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The return of a star

supposed return to film female star most important point after a year of voluntary retirement, he assumed the same way the film why more money was to pay an actress until that date. And is "The Pelican Brief ", the title based on the best-selling writer John Grisham (author who had already demonstrated its potential for with his previous film work: "The Firm ) meant recovery for the world of cinema of "America's Sweetheart" on paper, although it had been written to be kept in mind for her.

An extremely convoluted thriller of a steady hand and good bill, co-starring Denzel Washington , which presented the viewer with a complex story of intrigue, conspiracies and truss court did, as expected an absolute blockbuster.

The complexity of what we had here, its duration and the discovery of the main mystery of the tape in the middle of it (the contents of the report) were factors that played against him, something that was cleverly offset by the excellent chemistry that Roberts and Washington distilled over all the footage. A chemical that was in some way, the protagonist of one of the biggest controversies of the film . And the fact that the relationship between Roberts and Washington did not transcend the merely "professional" (despite all times be seen in the attraction that existed between them) was dismissed by some quarters as less racist. Eight years later and with tremendous symbolic, Denzel Washington gave an Oscar for Julia Roberts and merged with it in a passionate kiss (from that time are very great friends), perhaps the same could not kiss occur during the filming of this movie . Mystical

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The timeless musical

His script was extremely simple, but nevertheless lacked sufficient strength for almost 60 years after its release is still present in our collective memory more. We talked about what today might be called a very light romantic comedy with some musical numbers themselves composed one of the most brilliant in the history of cinema. It is possible that the recall have been only those who Gene Kelly splashing conduct with a broad smile after firing on his website for women of which was included in love, but truth is that " Singing in the Rain" was composed of other very big musical numbers as bright as it not to say more.

That trick of the film was Kelly is absolutely indisputable, but justice was also to highlight the brilliant work comic in question was a Donald O'Connor showing further that this dance was even star above.

A stunt choreography that touched an emotional argument and fun absolutely timeless and unforgettable characters composed of the best musicals Hollywood's most classic, perennial forever in the memory more cinephile. As indelible as the sequence hang today in this post. There could be another ... Mystical

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robbery was never so erotic exercise restraint

Saying " Trap", the support of director Jon Amiel (" Sommersby") by the action film and the genre of thieves, was a great film would certainly exaggerated. Why not stopped to consider that this title more than 1999 who fulfilled the objectives for which it was intended: to entertain for almost two hours of the hand of two of the most desired players the film of the time: an "always beautiful" Catherine Zeta-Jones and a "more combustible than ever Sean Connery.

Perhaps the strength of this film rooted in the tremendous chemical distilled its characters, actors who could have everything against him to fail in this endeavor (especially if we consider that they were almost forty years that separated the two players) but in this title were able to achieve levels of complicity and rarely seen among the stars of this caliber.

's commitment Jon Amiel had a taste for old movies of the genre, but this time with a rhythm and a more aesthetic characteristic of late twentieth century. His screenplay, with tremendous ongoing plot twists and deceptions Boomeran effect g, the growth rate in Scend , those beautiful images shot in "back then" the world's tallest towers (Petronas Towers in Kuala Lumpur), the high voltage famous erotic sequence in which the Welsh actress was moving subtly in a tangle of infrared rays and an ending that in no desmerecía the development of the whole plot was another of his many strong points.

In contrast to this we could talk about the lack of credibility of some of its sequences, especially those action scenes in which a 30 year old woman and a man of 70 seemed to defy the laws of gravity, but I think certainly that " Trap" did not bet at any time by the realism of the proposal. His goal was different: to entertain an audience that demanded this type of film and who understood that the thieves did not have to always be a bad movie . Mystical