Saying " Trap", the support of director Jon Amiel (" Sommersby") by the action film and the genre of thieves, was a great film would certainly exaggerated. Why not stopped to consider that this title more than 1999 who fulfilled the objectives for which it was intended: to entertain for almost two hours of the hand of two of the most desired players the film of the time: an "always beautiful" Catherine Zeta-Jones and a "more combustible than ever Sean Connery. Perhaps the strength of this film rooted in the tremendous chemical distilled its characters, actors who could have everything against him to fail in this endeavor (especially if we consider that they were almost forty years that separated the two players) but in this title were able to achieve levels of complicity and rarely seen among the stars of this caliber.
's commitment Jon Amiel had a taste for old movies of the genre, but this time with a rhythm and a more aesthetic characteristic of late twentieth century. His screenplay, with tremendous ongoing plot twists and deceptions Boomeran effect
g, the growth rate in Scend , those beautiful images shot in "back then" the world's tallest towers (Petronas Towers in Kuala Lumpur), the high voltage famous erotic sequence in which the Welsh actress was moving subtly in a tangle of infrared rays and an ending that in no desmerecía the development of the whole plot was another of his many strong points. In contrast to this we could talk about the lack of credibility of some of its sequences, especially those action scenes in which a 30 year old woman and a man of 70 seemed to defy the laws of gravity, but I think certainly that " Trap" did not bet at any time by the realism of the proposal. His goal was different: to entertain an audience that demanded this type of film and who understood that the thieves did not have to always be a bad movie . Mystical
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