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Nothing more dangerous than some obsessions

Twenty years after the release of "Fatal Attraction " continues to have force. Possibly because the issues discussed here will one day hardly fashionable or perhaps because it gets us reflect on why certain behaviors that are not hazardous to a lesser extent. True

as embodied here Adrian Lyne was taken to the absolute extreme, a fact that, despite the result that the tape did not shine as it could have not failed in his attempt to make the audience identify with characters who remained in the collective unconscious for a number of years. This approach so far caused them to explore less in the psyche of the protagonists, especially in the most interesting character in a superb Glenn Close (from which it senses there is so much back story that would for many films) and chose to make the final footage too gimmicky thriller that impoverished the depth of the complete work. Curious to know that there is an alternate ending that much more realistic from my point of view would have exalted this film far above its position today. At that time prevailed commercial interest above the story and chose the wrong end. One of those errors given in the world of cinema that on today there are still regrets.

A film nominated for six Oscars where Glenn Close, Michael Douglas and Anne Archer composed one of the most believable love triangles of the 80's unrepeatable. Mystical

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Home Course

Saturday July 25


Duration: 4 months July 25 - December 5.

Method: Theoretical and practical . Including delivery of materials.


Objectives:

• promote peace and friendship between peoples, between people of different cultures, races, religions and nationalities. All gathered there by the same desire: Learning Art of Belly Dance and Middle Eastern Dances.


• Share experience and bring a friend.


• Learning to take body awareness, love and respect as it is.

Delivery and Approval Certificate of Attendance Course at the end of the cycle.

Teacher: Faiza Al Manzur

Held Montevideo, French General (Carrasco)

Hours: Saturday from 10:00 to 11:30 a.m.

Only for women or girls

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For more information: 099-966-905

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Today I present to "Middle Plane" one of those movies hard to find in shops, in part because the term "print" has faithfully accompanied over many years. A few months ago on a visit to the capital of Palencia, was lucky enough to reconnect with her and today, recalling that weekend, I highlight it as a tribute.

A dark production that dated from 1983 and showed us the devastating effects of nuclear war on a small American town. The strength of this film was its release date in a few years of the Cold War between the U.S. and the Soviet Union that made this story had the least degree of credibility. The presentation of his characters, of those simple people living in so tragic, so slow that it involved the first hour of footage, getting that identification with them was absolute, an effect which was achieved with the second part (which tells the striking Holocaust nuclear) was even more startling.

" The Day After" was a film hard, where we found not justified war heroes or some strange patriotism. Here is what we showed was the horror that the world could be exposed during a period of extreme tension. A threat, but hardly ever be extinguished, in eighties those years nurturing a global psychosis reached extreme levels among U.S. residents.

I was not American but was just a boy when I saw this title for the first time and certainly shocked me. And I was so shocked that sometimes even Today, more than 20 years later, when for one reason or another my gaze up towards the sky, I find myself recreating in my mind images of this film . Mystical

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a Cold War "The hand that rocks the cradle is the hand that rules the world" Fragments of a childhood

recently opened in our cinemas " Obsessed," a film inspired by the eighties " Fatal Attraction", which I personally made me remember a very different title. And in 1992, was released worldwide a tape of the less interesting title that not only signified the most important job in the career of actress Rebecca Mornay, but also taught us many a job well done and well constructed story could dignify more commercial film come across the ocean.

Curtis Hanson (director among other " LA Confidential") built a good story, excellent timing and great acting job that, despite its predictability, convinced at all that recounted. And is that Rebecca de Mornay reached truly scary. Under this fragile and beautiful face hiding an evil so believable that only needed a plane (the one in which Aparacio eating an apple after having committed his first murder) to convince us all of the intensity of their hatred. Great job also of Annabella Sciorra and Julianne Moore well as a Ernie Hudson shone whose secondary role to the same height as that of his own De Mornay.

A thriller to the more typical style of the 90 extremely recommended that, despite losing some strength in its predictable end sequences, was able to transmit high doses of stress. Mystical

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are many reasons why today I want to talk about this movie , different reasons among which I choose to stay with Most important of all: how much I was excited when he was just twelve years.

" Honey, I Shrunk the Kids " represented one of the most important successes in the history of the Disney factory as a live-action productions are concerned. A film directed by Joe Johnston (responsible for special effects in "Star Wars " and "Indiana Jones ") that debuted with this movie in leadership tasks. It is said that the script with which John was originally found was much darker than rebuild on the tape finally, a script included the death of children (five at first) on his way home.

The end result: a adventure film suitable for the entire family, even more focused at children, which involved a good bet for the special effects in those years (1989). The role of tape in this case rested on the actors, but on the big stage in the unfolding plot. Some scenes were well done, which ironically be the most everyday, hence the force of history and, ultimately, the entire film .

Rick Moranis (again representing the stupid intellectual role which seemed unwilling to come off) emerged as the star of the film actor, a film where I stood for well over another of his characters: that young ant who accompany the kids on their adventure the grass in the garden (How strange is this phrase!). It is to be made, as was achieved here, which sintiesemos both affection for one of these insects (to the extent of their loss of regret as we would) proved to be something the less worthy of admiration. Mystical

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A fully justified rebellion

What James Dean got mid-50 to the glory of cinema has to date been somewhat unique. With only three major films in his career this American actor managed to become not only a myth for the history of cinema , but throughout a media that has kept undisturbed for very long over five decades. Met his death at age 24 in a fatal car accident, but left as the main legacy absolutely unforgettable three films: "East of Eden ", " Giant" and the title that possibly helped him soar as myth "Rebel Without cause. "

is clear that this film would not have weight now boasts it not been starring Dean, nor have gone to the history of cinema if the young actor had no met his death at such a premature, but the fact is that both things happened and now "Rebel Without a Cause " is almost a cult film.

A tape that showed us that crime and rebellion among young people did not have to be necessarily linked to lower social classes, but levels off grades of discontent among young Americans could be so high that the only feasible solution was in the fights with knives, racing against cliffs fatal or trigger-happy guns.

Without doubt the most interesting of all the tape lay in his motives (all families) that made these young people behave in that way, investigate the "causes" (just because that was) of these behaviors, either a complex Electra, a covert homosexuality coupled with a tremendous lack of love or fear to inherit what a father is therefore rejected. Mystical

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When passions become dangerous

I have always believed that the genius of Pedro Almodovar was seen more in the comedy stakes in any major dramas (although the particular inclination of the filmmaker in recent years the latter kind). And is that films like "Women on the Verge and an attack of nerves " showed that comedic director manchego was simply unbeatable.

However, in 1987, we had a Pedro dramatic film from my point of view could be included among the best works of the controversial director. To do his muse had at that time, a Carmen Maura who knew absolutely brilliant show and a Antonio Banderas beginning to be already attached to the productions of La Mancha. A flag would share with Eu Eusebio Poncela (supposed protagonist of this story ) one of the most controversial scenes throughout the film , not in vain we're talking about one of the first scenes of explicit sex homosexual we could see on the big screen. Micky Molina and a very young Man ue the Velasco ( [REC] ) completed the distribution of the tape.

The main story, starring Ponce and Banderas, and absolutely uncontrollable passions unleashed is greatly enriched by Tina, that transsexual played by Maura C armen which showed full resolution of family disputes, religious and there cial. It also rested the weight of the most famous scene in the entire film, a sequence of high sexual charge and brilliant realization in her character asked a street sweeper that regase with your hose to put out with this heat. This scene has become its own merits as one of the most iconographic film gave 80's.

" Law of Desire": A title in the filmography is absolutely essential of Pedro Almodóvar . Mystical

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Tragedy "Shakespearean" to urban rhythms

Figure few years ago in the list of movies with more Oscars in the history of cinema , namely ten, just behind " Ben Hur," "Titanic "and" Return of the King . " "West Side Story ," the musical was an adaptation of the work of urban Willliam Shakespeare "Romeo and Juliet " and was told this time between New York street gangs of the 60 had no certainly many points in its favor, but I firmly believe this rain of awards was extremely exaggerated. True

many of its musical numbers (of impeccable staging) magnified a film born to take the baton from the hit Broadway musical to carry the same name, I get many of them not only to the history of film but also the collective subconscious of millions of people. All this is true, but so is that if we ignore their musical numbers (and speaking of "West Side Story " This company seems the least complicated) what is left of it hardly deserves wider recognition.

The credibility of the story itself is hardly defensible same. Consider for as just one example: "West Side Story " unfolds in a single day, ie 24 hours over which Natalie Wood and Richard Beymer meet and fall in love . So far so may be "normal", but how is it possible that the passion between them reach such heights in such a short space of time to make the player forget that a few hours before escaping with her lover, he just killed his own brother? ... I sincerely believe that other proposals for the period as "Splendor in the Grass " or " Rebel Without a Cause " getting more excited in a somewhat more credible.

I still maintain that this film had many points in its favor. His acting work just reveal cracks as well as certain moments of the film shone with light. Worth of such a scene in which both players were known. I think few "arrows" have been so well brought to the film as when Natalie Wood Richard Beymer and were first in that mythical dance sequence.

Ultimately, a good but uneven tape (who once refused to star in Elvis Presley ) with some immortal numbers music capable of being slightly overrated ... at least from my "most humble opinion," of course. Mystical

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Traditional Belly Dance Dancer Faiza Al Manzur promoting tourism in Punta del Este

This cycle of events that Faiza conducted during a winter month in 2008, caught the attention of many people in Montevideo and the interior. He was an original and exotic to promote the prestigious resort thanks to a foreign dancer. Bellydance

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Dance Saturday June 28, 2008

On Saturday June 28th at 20:00 will take place Art Caffe on the top floor of Punta Shopping Center presentation of bellydance dancer Faiza to Manzur. The dancer became established in Punta del Este, after emigrating from his native country and go and study in countries where belly dancing is part and parcel with life. Bellydance is one of the oldest dances in the world, combining elements from different countries in the Middle East and North Africa, although their precise origins are Arab inciertos.En this dance is called Raks Sharki Oriental Dance, which literally means . The name Belly dance began to be used in the nineteenth century by Europeans who traveled to exotic lands in search of new cultures, paisajes.Estos customs and gave this term travelers surprised by the belly and hip movements that did not exist in European dances. The Raks Sharki is more refined and rich. Includes movements of Egyptian folklore, ballet and contemporary dance, with large movements, turns and moves to all parts of the body, although the hip are also the most importantes.Hasta 1930, the dancers had performed particularly people's homes or in cafes. That year, in Cairo, a Lebanese woman called Badia Mansabni opened a nightclub called Casino Badia.Esta room became very popular. Had a diverse program that was based in the east and provided dancers singers, musicians, comedians and European numbers. Venue


Punta Shopping
Address: Av Roosevelt p. 7 and 1 / 2 - Punta del Este
Link:
http://www.puntaweb.com/cgi-bin/eventos/ver_evento_div.pl?numero_evento=4874

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The successful treatment of a new subgenus

Perhaps the greatness of cinema displayed when a tape without high expectations and under budget reaches the level of cult film, gives rise to a genre and get the American Film Institute's join its hundredth anniversary in the list of one hundred best movies of history. Such facts are what make us believe in the as art cinema, in movies as a mode of artistic expression whose result depends more quality of the filmmaker in question that the money on the table at the time of signing the agreements. This is what in 1968 showed us George A. Romero with " Night of the Living Dead " and this very fact is that I want to commemorate today.

A tape that witnessed the birth of a genre: the zombie film that, despite having already presented in other projects, adopted in this film formal treatment we know today. A simple story told almost in real time, whose strength lies perhaps in the way in which it arose.

strangers were forced to join forces against attack by dead bodies whose resurgence did not quite find a cause truly grounded (although eventually be mentioned in a possible unknown radiation). The relationship established between the characters and was inherently complex and problematic, which, together with the real lack of a true leader or a hero among them, and condemned them in advance to a final bleak indeed.

An ironic final scene not without some controversy (some wanted to see it as a racist wink) closed a brilliant film which he created the climate and environments correct (a very wise choice of black and white) for a story despite to lose their good pace at times, served as a clear example for later productions infinitely more expensive than it. Mystical

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extreme hardness of a wrongful life

No doubt this was one of the best titles that gave the film English in the late 90's. A hard title as few, of something so extreme that scared. A film showing without any filter, the hardness of a wrongful life, a life that seemed primed with some unfortunate from the moment of conception.

A drama that became great even when it opposed to getting Benito Zambrano move us all in telling a beautiful story of love which was born from a mother and daughter who had everything against but whose bond grew stronger as the difficulties increased. Superb

wildly all actors, especially a María Galiana finally picked up the recognition that the film owed so many years, and a Ana Fernández we discovered with this film and showed us thanks to the enormous potential she treasured. A great work of photography, a most correct script and the best work to date director Benito Zambrano made this opera fair premium worthy of both the Audience Award at the Berlin Film Festival as all and each of its five Goya awards. Mystical

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The beautiful staging of the more noble sentiment

This was one of those titles whose artistic beauty was well above that sought to tell its script. Its setting, excellent photography and especially, each and every one of his songs, made "Moulin Rouge ! " a beautiful work that eight years after its release still manages to fall in love.

A musical that was using hits from Elton John , Queen, Madonna or Roxanne to tell a story of tragic and impossible love between Nicole Kidman and Ewan McGregor that many still make us feel. Maybe it's because that beautiful sentiment was captured perfectly in a universe of colors, not deprived of a certain unreality, which was perfect to convey the purity of what we are told here.

And how today is a special day, I want to share here two of the musical numbers that I got deeper. I hope you get with you as well as at the time got me: hecerme feel and believe in the purity of that feeling that some call "love."





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respecting the essence of a cult book

La famosa novela de Umberto Eco encontró en esta adaptación cinematográfica un canal perfecto para hacer llegar a aquellos no demasiado aficionados a la lectura una de las mejores novelas de intriga escrita durante los años 80.

Y es que revisando de nuevo la cinta muchas son las cosas que se podrían decir de la obra del francés Jean-Jacques Annaud , entre ellas que su perfecta ambientación (la cual mostraba una Edad Media con toda su dureza y fealdad real), su bellísima fotografía, sus correctas interpretaciones y un brillantísimo guión (levantado en torno a una tenebrosa historia medieval desarrollada entre monjes, abbeys and banned books) become key elements for understanding the success of a film which started with the handicap of having to match a complete reference book.

" The Name of the Rose " accounted for the recovery film actor Sean Connery , a star of old lost in mediocre productions with this title would become just BAFTA winner of that year, and and also meant the discovery of a Christian Slater perhaps failed to take advantage for his career the boost of a debut as brilliant as this.

From my point of view, one of the best medieval movies the history of cinema. Mystical